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Revisión del 09:55 1 may 2025 de LaurindaPointer (discusión | contribs.) (Página creada con «<br> Chanter shouldn't be involved to reveal the invalidity of Irigaray’s or Butler’s readings of the Sophoclean text, but to indicate how these readings are nonetheless complicit with another type of oppression - and remain blind to issues of slavery and of race. Chanter convincingly reveals that the language of slavery - doulos (a family slave) and douleuma (a ‘slave thing’) - is there in Sophocles’ textual content, regardless of its notable absence from m…»)
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Chanter shouldn't be involved to reveal the invalidity of Irigaray’s or Butler’s readings of the Sophoclean text, but to indicate how these readings are nonetheless complicit with another type of oppression - and remain blind to issues of slavery and of race. Chanter convincingly reveals that the language of slavery - doulos (a family slave) and douleuma (a ‘slave thing’) - is there in Sophocles’ textual content, regardless of its notable absence from many modern translations, adaptations and commentaries. On condition that these themes have been translated out of most contemporary versions and adaptations of the play, Irigaray and Butler can hardly be blamed for this failure of their interpretations.



Chapters 3 and four include interpretations of two vital recent African plays that take up and rework Sophocles’ Antigone: Fémi Òsófisan’s Tègònni: An African Antigone (1999), which relocates the mythology of Antigone to colonial Nigeria, and The Island (1974), collectively authored and staged by Athol Fugard, blowjob John Kani and Winston Ntshona. If Chanter is just not the primary to take up these two ‘African Antigones’, what's distinctive about her method is the manner wherein she sets the 2 plays in dialog with those traditions of Hegelian, continental and feminist philosophy which have so much contemporary buy.



Mandela talks about how important it was to him to take on the part of Creon, for whom ‘obligations to the people take precedence over loyalty to an individual’. Much of Chanter’s argument in the first chapters (and prolonged footnotes throughout the text) is concerned with establishing that when Antigone insists on performing the correct burial rites for the physique of Polynices (son of Oedipus and brother to Antigone), in defiance of the orders of Creon (the king, and brother to her useless mother, Jocasta), part of what's at stake is the slave/citizen dichotomy.



She also shows how the origins of Oedipus - uncovered as a baby on the hills close to Corinth, and introduced up by a shepherd outdoors the town partitions of Thebes, bbw sex the place the entire motion of the play is set - would have been rendered problematic for an Athenian audience, given the circumstances surrounding the primary efficiency of Sophocles’ play (roughly ten years after endogamy was made a requirement for citizenship, and bbw sex exogamous marriages outlawed by Pericles’ law). The Tragic Marginalization of Slavery has relevance also for actors and dramatists considering how greatest to stage, interpret, modernize or completely rework Sophocles’ drama and, indeed, the whole Oedipus cycle of plays.



Chanter argues that Hegel unduly narrows the notion of the political - and, certainly, that of the tragic - by ignoring the thematics of slavery that are current in Sophocles’ play. Arguing that chattel slavery supplies one of the linchpins of the ancient Greek polis, and hence also for the ideals of freedom, the family and the state that Hegel himself advocates, Chanter suggests that Hegel’s emphasis on the grasp-slave dialectic within the Phenomenology of Spirit (1807) ‘domesticates and tames the ugliness of slavery’, and needs to be understood in the context of the slave revolt in Haiti of 1803-05. A critique of Luce Irigaray, Judith Butler and different feminist theorists who read Antigone in counter-Hegelian ways - but who however still neglect the thematics of race and slavery - can be key to the argument of the e book as a whole.



On this framework it appears completely pure that freedom, as a aim of political action, is privileged above equality, even when equality is understood, in Rancièrean phrases, as a presupposition and never as an goal and quantifiable aim to be achieved. Once once more, plurality should itself, ebony sex as an idea, be split between the different, however equal standing positions in an egalitarian political scene (i.e., different positions that depart from a standard presupposition of the equal capacity of all) and a pluralism that's merely transitive to the hierarchical order of different interests - pursuits that essentially persist after that event which inaugurates an emancipatory political sequence.



Such resistance is rooted in Breaugh’s unconditional defence of pluralism and his mistrust of any form of unity as a horizon for politics. In historical situations where the objective of political unity comes into battle with the existence of political plurality, as for example within the French Revolution, the threat to plebeian politics comes, for Breaugh, from the attempt to kind a united subject who then constitutes a threat to the required recognition of the divided character of the social. The lump sum of five thousand dollars was one factor, a miserable little twenty or twenty-five a month was quite one other; after which someone else had the cash.



However that drawback only arises once we consider the likelihood of fixing from a social order resting on growing inequalities and oppression, to another hopefully more just one. Lefort’s thought looms large here, since for him the division of the social is an authentic ontological situation, whose acceptance is necessarily constitutive of each democratic politics, and never merely a sociological counting of the elements. The problem right here could also be that Breaugh takes the plurality of interests at face worth, disregarding the way in which such a plurality of political positions could in itself be grounded within the unjust division of the social.